| Composer | Title | Subtitle | # Parts | Language | Mode | Files |
|---|
| William Byrd (c.1540-1623) |
Sed tu Domine  |
Secunda pars |
5 |
latin |
Hypodorian |
Score + Parts |
| William Byrd (c.1540-1623) |
Defecit in dolore vita mea |
Prima pars |
5 |
latin |
Hypodorian |
Score + Parts |
| Girolamo Frescobaldi (1583-1643) |
Capriccio VII |
sopra l'aria 'Or che noi rimena' |
4 |
instrumental |
Ionian |
Score + Parts |
| Girolamo Frescobaldi (1583-1643) |
Lidia, ti lasso, ahi lasso |
Terza parte |
5 |
italian |
Ionian |
Score + Parts |
| Girolamo Frescobaldi (1583-1643) |
Ecco l'ora, ecco ch'io |
Seconda parte |
5 |
italian |
Mixolydian |
Score + Parts |
| Peter Philips (c.1560-1628) |
Baciai per aver vita |
|
6 |
italian |
Dorian |
Score + Parts |
| Michael East (c.1580-1638) |
Love cannot dissemble |
|
2 |
instrumental |
Dorian |
Score + Parts |
| Gregor Aichinger (c.1565-1628) |
O quam suavis est, Domine |
Prima pars |
5 |
latin |
Ionian |
Score + Parts |
| Pomponio Nenna (1556-1608) |
O gradite o sprezzate |
|
5 |
italian |
Ionian |
Score + Parts |
| Josquin des Prez (c.1450-1521) |
Vous larez, s'il vous plaist, ma dame |
|
6 |
french |
Dorian |
Score + Parts |
| Johann Sommer (c.1570-1627) |
Paduana XVIII |
sopra Susanne un jour |
5 |
instrumental |
Dorian |
Score + Parts |
| John Dowland (c.1563-1626) |
Galliard XVIII |
|
5 |
instrumental |
Dorian |
Score + Parts |
| John Ward (1571-1638) |
In nomine I |
|
4 |
instrumental |
Hypodorian |
Score + Parts |
| Orlando Gibbons (1583-1625) |
In nomine |
|
5 |
instrumental |
Dorian |
Score + Parts |
| William Whytbroke (c.1501-1569) |
In nomine |
|
4 |
instrumental |
Dorian |
Score + Parts |
| John Eglestone (fl. late 16c) |
In nomine |
|
5 |
instrumental |
Hypodorian |
Score + Parts |
| Edward Gibbons (1568-c.1650) |
In nomine |
|
5 |
instrumental |
Dorian |
Score + Parts |
| John Sheppard (c.1515-1558) |
Pater noster |
|
5 |
instrumental |
Mixolydian |
Score + Parts |
| Aurelio Bonelli (1569-c.1620) |
Irene |
Canzon VI |
4 |
instrumental |
Ionian |
Score + Parts |
| Giovanni Battista Vitali (1632-1692) |
Ciaccona |
|
3 |
instrumental |
Ionian |
Score + Parts |
| Giovanni Battista Vitali (1632-1692) |
Passagallo I |
|
3 |
instrumental |
Hypodorian |
Score + Parts |
| Giaches de Wert (1535-1596) |
Quante volte volgete |
|
5 |
italian |
Dorian |
Score + Parts |
| Jacquet de Berchem (c.1505-1567) |
A qualunque animale alberga in terra |
Prima stanza |
4 |
italian |
Hypodorian |
Score + Parts |
| Jacquet de Berchem (c.1505-1567) |
Pel bosco errò tutta la notte il conte |
Principio della Pazzia d'Orlando |
4 |
italian |
Hypodorian |
Score + Parts |
| Jacquet de Berchem (c.1505-1567) |
Tagliò lo scritto e’l sasso, e sin al cielo |
Mostra Orlando la sua possanza |
4 |
italian |
Dorian |
Score + Parts |
| Jacquet de Berchem (c.1505-1567) |
Non son, non sono io quel che paio in viso |
Orlando penso esser morto essendo vivo |
4 |
italian |
Phrygian |
Score + Parts |
| Christopher Simpson (c.1602-1669) |
Division in B-flat |
|
1 |
instrumental |
Ionian |
Score + Parts |
| Claudio Merulo (1533-1604) |
O di che grato odor i bei giacinti |
|
5 |
italian |
Dorian |
Score + Parts |
| Thomas Crecquillon (c.1505-c.1557) |
Ingemuit Susanna |
Prima pars |
4 |
latin |
Ionian |
Score + Parts |
| Philippe Verdelot (c.1480-c.1530) |
Queste non son più lacrime che fuore |
|
6 |
italian |
Hypodorian |
Score + Parts |
| Nicolas Gombert (c.1495-c.1560) |
O flos campi |
Prima pars |
5 |
latin |
Dorian |
Score + Parts |
| Orazio Vecchi (1550-1605) |
Mentre io campai contento |
|
4 |
italian |
Dorian |
Score + Parts |
| Giovanni Paolo Cima (c.1570-1630) |
Ricercar VI |
|
4 |
instrumental |
Ionian |
Score + Parts |
| Giovanni Paolo Cima (c.1570-1630) |
Ricercar III |
|
4 |
instrumental |
Dorian |
Score + Parts |
| Giovanni Paolo Cima (c.1570-1630) |
Ricercar V |
|
4 |
instrumental |
Ionian |
Score + Parts |
| Giovanni Paolo Cima (c.1570-1630) |
Ricercar IV |
|
4 |
instrumental |
Ionian |
Score + Parts |
| Giovanni Paolo Cima (c.1570-1630) |
Ricercar VII |
|
4 |
instrumental |
Ionian |
Score + Parts |
| Giuseppe Giamberti (c.1600-c.1663) |
Ciaccona |
Duo VII |
2 |
instrumental |
Ionian |
Score + Parts |
| Giuseppe Giamberti (c.1600-c.1663) |
Aria del gran Duca |
Duo XXXV |
2 |
instrumental |
Ionian |
Score + Parts |
| Giuseppe Giamberti (c.1600-c.1663) |
Bergamasca |
Duo IV |
2 |
instrumental |
Mixolydian |
Score + Parts |
| Adriano Banchieri (1568-1634) |
Trecce ombrose ove s'asconde |
Ballo del gran duca |
3 |
italian |
Ionian |
Score + Parts |
| Adrian Willaert (c.1490-1562) |
Dilexi, quoniam exaudiet Dominus |
Prima pars |
4 |
latin |
Mixolydian |
Score + Parts |
| Philippe de Monte (1521-1603) |
Baciai per aver vita |
|
5 |
italian |
Hypodorian |
Score + Parts |
| Benedetto Pallavicino (c.1551-1601) |
Tra più soavi fiori |
|
5 |
italian |
Hypodorian |
Score + Parts |
| Benedetto Pallavicino (c.1551-1601) |
O dolce vita mia |
|
5 |
italian |
Hypodorian |
Score + Parts |
| Benedetto Pallavicino (c.1551-1601) |
Tirsi morir volea |
Prima parte |
6 |
italian |
Dorian |
Score + Parts |
| Benedetto Pallavicino (c.1551-1601) |
Così moriro i fortunati amanti |
Terza parte |
6 |
italian |
Dorian |
Score + Parts |
| Benedetto Pallavicino (c.1551-1601) |
Allor ch’io senti’l cor dentro, e d’intorno |
Seconda parte |
5 |
italian |
Dorian |
Score + Parts |
| Benedetto Pallavicino (c.1551-1601) |
Frenò Tirsi il desio |
Seconda parte |
6 |
italian |
Hypodorian |
Score + Parts |
| Benedetto Pallavicino (c.1551-1601) |
Io già cantando la mia libertate |
Prima parte |
5 |
italian |
Mixolydian |
Score + Parts |
| Luzzasco Luzzaschi (1545-1607) |
Quante volte volgete |
|
5 |
italian |
Mixolydian |
Score + Parts |
| Filippo Bonaffino (fl.1623) |
Dolcissimo sospiro |
|
3 |
italian |
Ionian |
Score + Parts |
| Giovanni Maria Nanino (c.1543-1607) |
Occhi si dè per voi giunger al core |
Prima parte |
5 |
italian |
Dorian |
Score + Parts |
| Paschal L'Estocart (1539-c.1584) |
L'Eau vaviste en s'escoulant |
|
4 |
french |
Dorian |
Score + Parts |
| Andrea Gabrieli (c.1532-1585) |
Nel bel giardin' entrate |
Prima parte |
6 |
italian |
Hypodorian |
Score + Parts |
| Jean-Baptiste Lully (1632-1687) |
Cinquiesme entrée |
|
6 |
instrumental |
Ionian |
Score + Parts |
| Vincenzo Ruffo (c.1508-1587) |
Missa Salvum me fac |
Kyrie |
5 |
latin |
Dorian |
Score + Parts |
| Vincenzo Ruffo (c.1508-1587) |
Missa Salvum me fac |
Gloria |
5 |
latin |
Dorian |
Score + Parts |
| Michael Praetorius (1571-1621) |
In dulci jubilo |
|
4 |
german/latin |
Ionian |
Score + Parts |
| Dario Castello (1602-1631) |
Sonata I |
|
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Corsetta |
Corrente VI |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Leona |
Sonata XI |
3 |
instrumental |
Hypodorian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Cintia |
Corrente IV |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Simona |
Corrente IX |
3 |
instrumental |
Hypodorian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Gardina |
Corrente XI |
3 |
instrumental |
Mixolydian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
L'Ardita |
Corrente V |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Balia |
Corrente X |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
13 Correnti |
|
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Castigliona |
Corrente I |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Tassona |
Corrente VIII |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Silvia |
Corrente VII |
3 |
instrumental |
Mixolydian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
Aria sopra la Bergamasca |
Aria V |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
L'Incostante |
Corrente III |
3 |
instrumental |
Dorian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
L'Emenfrodito |
Aria IX |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Donlina |
Corrente II |
3 |
instrumental |
Hypodorian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Briganta |
Corrente XII |
3 |
instrumental |
Dorian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Reggiana |
Sonata IX |
3 |
instrumental |
Ionian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
Aria sopra un Balletto |
Aria III |
3 |
instrumental |
Dorian |
Score + Parts |
| Marco Uccellini (c.1603-1680) |
La Banda |
Corrente XIII |
3 |
instrumental |
Ionian |
Score + Parts |
| Vittoria Aleotti (c.1575-c.1620) |
Baciai per aver vita |
|
4 |
italian |
Ionian |
Score + Parts |
| Melchior Franck (c.1579-1639) |
Intrada 2 |
|
5 |
instrumental |
Dorian |
Score + Parts |
| Melchior Franck (c.1579-1639) |
Intrada 4 |
|
5 |
instrumental |
Hypodorian |
Score + Parts |
| Melchior Franck (c.1579-1639) |
Intrada 1 |
|
5 |
instrumental |
Dorian |
Score + Parts |
| Melchior Franck (c.1579-1639) |
Intrada 3 |
|
5 |
instrumental |
Mixolydian |
Score + Parts |
| Melchior Franck (c.1579-1639) |
Galliarda 5 |
|
4 |
instrumental |
Ionian |
Score + Parts |
| Melchior Franck (c.1579-1639) |
Galliarda 6 |
|
4 |
instrumental |
Dorian |
Score + Parts |
| Melchior Franck (c.1579-1639) |
Galliarda 7 |
|
5 |
instrumental |
Dorian |
Score + Parts |
| Alessandro Striggio (c.1536-1592) |
Illustre alma gentile |
Prima parte |
5 |
italian |
Mixolydian |
Score + Parts |
| Alessandro Striggio (c.1536-1592) |
Non può ingegno mortale |
Seconda parte |
5 |
italian |
Ionian |
Score + Parts |
| Pierre Attaingnant (c.1494-c.1551) |
Basse dance II |
|
4 |
instrumental |
Dorian |
Score + Parts |
| Pierre Attaingnant (c.1494-c.1551) |
Basse dance IV |
La gatta en italien |
4 |
instrumental |
Dorian |
Score + Parts |
| Pierre Attaingnant (c.1494-c.1551) |
Basse dance I |
|
5 |
instrumental |
Hypodorian |
Score + Parts |
| Biagio Marini (1594-1663) |
La Zoppa |
Symfonia alliegra |
3 |
instrumental |
Dorian |
Score + Parts |
| Biagio Marini (1594-1663) |
La Zozri |
Sinfonia grave |
4 |
instrumental |
Hypodorian |
Score + Parts |
| Biagio Marini (1594-1663) |
Il Vendramino |
Balletto o Sinfonia |
4 |
instrumental |
Dorian |
Score + Parts |