Hawthorne Early Music editions
Composer | Title | Subtitle | Language | Mode | Files | |
---|---|---|---|---|---|---|
'Petit Jean' de Latre (c.1510-1569) | Auprès de vous | french | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Adam Jarzębski (late 16c-1648) | Susanna Videns | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Adrian Willaert (c.1490-1562) | Se'l veder voi m'ancide | italian | 3 | Phrygian [final: A, 1 flat] | Score + parts | |
Adrian Willaert (c.1490-1562) | Or suis je bien | french | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Adrian Willaert (c.1490-1562) | Jayme par amours | french | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Adrian Willaert (c.1490-1562) | Qui la dira la peine da mon cueur | french | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Adrian Willaert (c.1490-1562) | La rouse du mois | french | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Adrian Willaert (c.1490-1562) | Allons, allons gay | french | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Adrian Willaert (c.1490-1562) | Ricercar Primo | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube | |
Adrian Willaert (c.1490-1562) | Ricercar Segondo | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Adrian Willaert (c.1490-1562) | Recercar terzo | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Adrian Willaert (c.1490-1562) | Ricercar Quarto | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Adrian Willaert (c.1490-1562) | Ricercar Quinto | instrumental | 3 | Phrygian [final: A, 1 flat] | Score + parts | |
Adrian Willaert (c.1490-1562) | Recercar VI | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Adrian Willaert (c.1490-1562) | In quacumque die invocavero te | Secunda pars | latin | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube |
Adriano Banchieri (1568-1634) | Trecce ombrose ove s'asconde | Ballo del gran duca | italian | 3 | Ionian [final: F, 1 flat] | Score + parts |
Adriano Banchieri (1568-1634) | Capriciata à 3 voci | italian | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Agricola, Alexander (c.1445-1506) | Je vous emprie | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Alexander Agricola (c.1445-1506) | Caecus non judicat de coloribus | instrumental | 3 | Phrygian [final: A, 1 flat] | Score + parts | |
Alexander Agricola (c.1445-1506) | En attendant la grace de ma dame | instrumental | 3 | Lydian [final: F, 0 flats] | Score + parts | |
Alexander Agricola (c.1445-1506) | O venus bant | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Alexander Agricola (c.1445-1506) | Sy dedero | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Alexander Agricola (c.1445-1506) | Pater meus agricola est | latin | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube | |
Alexander Agricola (c.1445-1506) | J'ai beau huer avant que bien avoir | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Alexander Agricola (c.1445-1506) | Dites moi toutes vos pensées | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Andrea Falconieri (1585/6-1656) | L'Eroica | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube | |
Andrea Falconieri (1585/6-1656) | Passacalle | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Andrea Gabrieli (c.1532-1585) | Ancor che col partire | italian | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube | |
Andrea Gabrieli (c.1532-1585) | A caso un giorno mi guidò la sorte | Prima stanza | italian | 3 | Ionian [final: F, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Vaga d'udir, come ogni donna suole | Seconda stanza | italian | 3 | Mixolydian [final: C, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Con quel poco di spirto | Terza stanza | italian | 3 | Ionian [final: F, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Mentre ch'ella le piaghe va sciugando | Ultima stanza | italian | 3 | Ionian [final: F, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Dunque baciar sì belle e dolce labbia | Prima stanza | italian | 3 | Phrygian [final: E, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Se tu m'occidi, è ben ragion che deggi | Seconda stanza | italian | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Ella non sa, se non invan dolersi | Prima stanza | italian | 3 | Dorian [final: G, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Così, cor mio, vogliate, le deciva | Seconda stanza | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Ma poi che'l mio destino iniquo e duro | Terza stanza | italian | 3 | Dorian [final: G, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | A questo la mestissima Issabella | Quarta stanza | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Di ciò, cor mio, nessun timor vi tocchi | Quinta stanza | italian | 3 | Phrygian [final: A, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Zerbin la debol voce riforzando | Sesta stanza | italian | 3 | Dorian [final: G, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Non credo che quest'ultime parole | Settima stanza | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Sopra il sanguigno corpo s'abbandona | Ultima stanza | italian | 3 | Dorian [final: G, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Il dolce sonno mi promise pace | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Andrea Gabrieli (c.1532-1585) | Deh, dove senza me | Prima stanza | italian | 3 | Dorian [final: G, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Dove, speranza mia | Seconda stanza | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Oh infelice! Oh misero! | Ultima stanza | italian | 3 | Dorian [final: G, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | E dove non potea | Prima stanza | italian | 3 | Dorian [final: D, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Ma i venti che portavano | Seconda stanza | italian | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | E con la faccia | Ultima stanza | italian | 3 | Dorian [final: D, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | La verginella e simile a la Rosa | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Andrea Gabrieli (c.1532-1585) | Dunque fia ver | Prima stanza | italian | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Sa questo altier | Seconda stanza | italian | 3 | Phrygian [final: E, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Deh, ferma, Amor | Terza stanza | italian | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Ma di che debbo lamentarmi | Ultima stanza | italian | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Che giova posseder | Prima stanza | italian | 3 | Mixolydian [final: C, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Ma che non giova aver | Seconda stanza | italian | 3 | Ionian [final: F, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Quanto esser vi dee caro | Terza stanza | italian | 3 | Mixolydian [final: C, 1 flat] | Score + parts |
Andrea Gabrieli (c.1532-1585) | Però che voi non siete | Ultima stanza | italian | 3 | Ionian [final: F, 1 flat] | Score + parts |
Anonymous | Die katzenpfote | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Anonymous | None | unknown | 3 | unknown | Score + parts | |
Anonymous | Se prens congiet | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Anonymous | De tous biens | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Anonymous | Pour quoy fu fait ceste emprise | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Anonymous | Lisa dea damisella | instrumental | 3 | Phrygian [final: E, 0 flats] | Score + parts | |
Anonymous | Votre amour | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Anonymous | Loysot denisot | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Anonymous | Jusqu'a rascon | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Anonymous | Je vous congnois | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Anonymous | Merci vos | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Anonymous | Aime le plus bella | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Anonymous | Je m'en vois | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Anonymous | Qui es Ane | instrumental | 3 | Phrygian [final: A, 1 flat] | Score + parts | |
Anonymous | Pour vous servir belle dame | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Anonymous | Jamais dieux | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Anonymous | Tu me comande | instrumental | 3 | Mixolydian [final: C, 1 flat] | Score + parts | |
Anthony Holborne (c.1545-1602) | Fantasia I trium vocum | VdGS à 3 #1 | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube |
Antoine Brumel (c.1460-c.1512) | Esnu sy que plus ne porroie | instrumental | 3 | Hypophrygian [final: B, 0 flats] | Score + parts | |
Antoine Busnoys (c.1430-1492) | A que ville et abominable | Canon: Trinitas in unitate | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Antoine Busnoys (c.1430-1492) | A que ville et abominable | Sanse fuga | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
Antoine Busnoys (c.1430-1492) | Terribile fortuna | M’a vostre cueur mis en oubli | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Biagio Marini (1594-1663) | Sonata I | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube | |
Biagio Marini (1594-1663) | Balletto I | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Biagio Marini (1594-1663) | Balletto II | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Biagio Marini (1594-1663) | La Zoppa | Symfonia alliegra | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube |
Brumel [Brumel, Antoine (c.1460-c.1512)] | Ave ancilla trinitatis | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Brumel [Brumel, Antoine (c.1460-c.1512)] | En amours que cognoist | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Brumel [Brumel, Antoine (c.1460-c.1512)] | Je despite tous | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Cipriano de Rore (c.1515-1565) | Io dico e dissi, e dirò fin ch’io viva | Seconda parte | italian | 3 | Ionian [final: F, 1 flat] | Score + parts |
Cipriano de Rore (c.1515-1565) | Gravi pene in amor si provan molte | italian | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Claude le Jeune (c.1528-1600) | Plustost on pourra faire | Troisiesme partie | french | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube |
Claudio Merulo (1533-1604) | Che pena si può dire | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Claudio Merulo (1533-1604) | Dunque fia ver dicea che mi convegna | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Claudio Merulo (1533-1604) | Sa questo altier ch'io l'amo e ch'io l'adoro | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Claudio Merulo (1533-1604) | Deh, ferma, Amor, costui che così sciolto | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Claudio Merulo (1533-1604) | Ma di che debbo lamentarmi | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Claudio Merulo (1533-1604) | Anzi via più che del disir | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Claudio Merulo (1533-1604) | Deh, perché voglio anco di me dolermi | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Claudio Merulo (1533-1604) | Amor n’è causa, che nel cor m’ha impresso | italian | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube | |
Claudio Merulo (1533-1604) | Deh, avesse Amor così | italian | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Colinet de Lannoy (?-1497) | Cela sans plus et plus hola | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Compère [Compère, Loyset (c.1445-1518)] | Chanter ne puis | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Compère [Compère, Loyset (c.1445-1518)] | Le grant desir | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Dario Castello (1602-1631) | Sonata I | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube | |
Diego Ortiz (c.1517-c.1570) | Recercata I | sopra i tenori Italani | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube |
Eliseo Ghibel (c.1520-1581) | Miser chi mal oprando si confida | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Elway Bevin (c.1554-1636) | Browning | The leaves be green | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube |
Emilio de' Cavalieri (c.1550-1602) | O che nuovo miracolo | coro II (à 3) | italian | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
Eustache du Caurroy (1549-1609) | Fantasie I | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Eustache du Caurroy (1549-1609) | Fantasie II | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Eustache du Caurroy (1549-1609) | Fantasie III | sur Regina Cœli | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts |
Eustache du Caurroy (1549-1609) | Fantasie V | instrumental | 3 | Phrygian [final: E, 0 flats] | Score + parts | |
Eustache du Caurroy (1549-1609) | Fantasie VI | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Eustache du Caurroy (1549-1609) | Fantasie VII | instrumental | 3 | Mixolydian [final: C, 1 flat] | Score + parts | |
Eustache du Caurroy (1549-1609) | Fantasie XXIX | sur une jeune fillette | instrumental | 3 | 0 [final: B, 1 flat] | Score + parts |
Eustache du Caurroy (1549-1609) | Fantasie XXX | sur une jeune fillette, seconde partie | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
Filippo Bonaffino (fl.1623) | Dolcissimo sospiro | italian | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Francesco Soriano (c.1548-1621) | Canon all'unisono a mezza pausa | sopra Ave Maris Stella | latin | 3 | Dorian [final: D, 0 flats] | Score + parts |
Francesco Turini (c.1589-1656) | Gagliarda | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Ghinolfo Dattari (c.1535-1617) | Di gran valor una felice schiera | italian | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube | |
Ghiselin [Ghiselin, Johannes (fl.1491-1507)] | De tous biens | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Giammateo Asola (c.1532-1609) | Vergine bella | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sonata I | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube | |
Giovanni Battista Buonamente (c.1595-1642) | Sonata II | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sonata III | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sonata V | sopra Poi che noi rimena | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia I | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia II | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia III | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia IV | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia V | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia VI | instrumental | 3 | Phrygian [final: E, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia VII | instrumental | 3 | Hypodorian [final: E, -1 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia VIII | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia IX | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Sinfonia X | instrumental | 3 | Phrygian [final: E, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda I | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda II | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda III | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda IV | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda V | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda VI | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda VII | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda VIII | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda IX | instrumental | 3 | Hypodorian [final: B, -2 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda X | instrumental | 3 | Hypodorian [final: E, -1 flats] | Score + parts Watch on youtube | |
Giovanni Battista Buonamente (c.1595-1642) | Gagliarda XI | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente I | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente II | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente III | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente IV | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente V | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente VI | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente VII | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Corrente VIII | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Giovanni Battista Buonamente (c.1595-1642) | Ballo del Gran Ducca | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube | |
Giovanni Battista Vitali (1632-1692) | Ciaccona | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube | |
Giovanni Battista Vitali (1632-1692) | Passagallo I | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube | |
Giovanni Domenico da Nola (c.1510-1592) | Chi la gagliarda | italian | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube | |
Giovanni Gabrieli (c.1557-1612) | Alma cortese e bella | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Giovanni Matteo Asola (c.1532-1609) | Vezzosi augelli | italian | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Giovanni Thomaso Cimello (c.1510-1579) | L'amor' e come male destinato | italian | 3 | Mixolydian [final: C, 1 flat] | Score + parts | |
Giovanni Thomaso Cimello (c.1510-1579) | Venimo tre soldati | La battaglia villanesca | italian | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube |
Girolamo Frescobaldi (1583-1643) | Canzon prima a 3 | canto e due bassi | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
Girolamo Frescobaldi (1583-1643) | Canzon seconda a 3 | due bassi e canto | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
Giuliano Tiburtino (c.1510-1569) | Fantasia sopra ut re mi fa sol la | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giuliano Tiburtino (c.1510-1569) | Fantasia sopra la sol fa mi fa re la | instrumental | 3 | Phrygian [final: E, 0 flats] | Score + parts | |
Giuliano Tiburtino (c.1510-1569) | Fantasia sopra fa re mi re sol mi fa mi | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Giuliano Tiburtino (c.1510-1569) | Fantasia sopra fa mi fa re ut | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Giuliano Tiburtino (c.1510-1569) | Fantasia | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Hayne [Hayne van Ghizeghem (c.1445-after 1476)] | La regretee | instrumental | 3 | Lydian [final: BF, 1 flat] | Score + parts | |
Hayne van Ghizeghem (c.1445-after 1476) | De tous biens plaine | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Henry VIII of England (1491-1547) | Pastime with Good Company | The Kings ballad | english | 3 | Dorian [final: G, 1 flat] | Score + parts |
Henry VIII of England (1491-1547) | Tander Naken | instrumental | 3 | Phrygian [final: A, 1 flat] | Score + parts | |
Jacob Arcadelt (c.1507-1568) | Gravi pene in amor si provan molte | italian | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Jacob Arcadelt (c.1507-1568) | Ingiustissimo Amor, perche si raro | italian | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Jacob Arcadelt (c.1507-1568) | Dormendo un giorno a baia a l'ombra Amore | italian | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Jacques Arcadelt (1507-1568) | Voi mi poneste in foco | italian | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube | |
Jacques Arcadelt (c.1507-1568) | Tempo verrà anchor forse | Terza parte | italian | 3 | Ionian [final: C, 0 flats] | Score + parts |
Jacquet de Berchem (c.1505-1567) | Un lauro mi difese allor dal cielo | italian | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Jacquet de Mantua (1483-1559) | Quam pulchra es amica mea | latin | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Jean Japart (fl.c.1474-1481) | Je cuide se ce temps dure | Je quido | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts |
Jean Mouton (c.1459-1522) | Le souvenir de vous me tue | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Jean Mouton (c.1459-1522) | Prens ton con | french | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Jean de Castro (c.1540-1611) | Elle s'en va de moy | french | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Jean de Castro (c.1540-c.1600) | Cantavan quatro legiadrette Ninfe | Prima parte | italian | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Jean de Castro (c.1540-c.1600) | Onde io per meglio udire | Seconda parte | italian | 3 | Dorian [final: G, 1 flat] | Score + parts |
Jean de Ockeghem (c.1410-1497) | Départes vous male bouche | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Jhan Gero (fl.1540-55) | O felice pensier, felice giorno | italian | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Johannes Martini (c.1430-1497) | Tant que dieu vosdra | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Johannes Martini (c.1430-1497) | Fuge la morie | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Johannes Martini (c.1430-1497) | Je remerchi dieu | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Johannes Martini (c.1430-1497) | Tous jours me souviendra | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Johannes Martini (c.1430-1497) | De la bonne chiere | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Johannes Martini (c.1440-c.1498) | Des biens d'amour | instrumental | 3 | Phrygian [final: A, 1 flat] | Score + parts | |
John Coperario (c.1570-1626) | Fantasia 4 | VdGS à 3 #10 | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
John Coperario (c.1570-1626) | Fantasia 10 | VdGS à 3 #3 | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
John Coprario (c.1570s-1626) | Fantasia suite 1 for 2 violins | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
John Jenkins (1592-1678) | Phanfazia | VdGS à 3 no. 13 | instrumental | 3 | Dorian [final: C, 2 flats] | Score + parts |
John Wilbye (1574-1638) | Fly aloft, love | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Josquin des Prez (c.1450-1521) | Ile fantazies de Joskin | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Josquin des Prez (c.1450-1521) | De tous biens plaine | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Lapicida, Erasmus (c.1490-1547) | Tandernaken | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube | |
Loyset Compère (c.1445-1518) | Dittez moy toutes vos pensees | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Luca Marenzio (c.1553-1599) | Ad una fresca riva | italian | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Marco Uccellini (c.1603-1680) | La Reggiana | Sonata IX | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube |
Marco Uccellini (c.1603-1680) | La Leona | Sonata XI | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube |
Marco Uccellini (c.1603-1680) | Aria sopra un Balletto | Aria III | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube |
Marco Uccellini (c.1603-1680) | Aria sopra la Bergamasca | Aria V | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts Watch on youtube |
Marco Uccellini (c.1603-1680) | L'Emenfrodito | Aria IX | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts Watch on youtube |
Marco Uccellini (c.1603-1680) | La Castigliona | Corrente I | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | La Donlina | Corrente II | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | L'Incostante | Corrente III | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | La Cintia | Corrente IV | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | L'Ardita | Corrente V | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | La Corsetta | Corrente VI | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | La Silvia | Corrente VII | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | La Tassona | Corrente VIII | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | La Simona | Corrente IX | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts |
Marco Uccellini (c.1603-1680) | La Balia | Corrente X | instrumental | 3 | Ionian [final: D, -2 flats] | Score + parts |
Marco Uccellini (c.1603-1680) | La Gardina | Corrente XI | instrumental | 3 | Mixolydian [final: C, 1 flat] | Score + parts |
Marco Uccellini (c.1603-1680) | La Briganta | Corrente XII | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
Marco Uccellini (c.1603-1680) | La Banda | Corrente XIII | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts |
Matheo Flecha (c.1530-1604) | Di dì in dì vo cangiando | italian | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Maurizio Cazzati (1616-1678) | Capriccio sopra sette note | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube | |
Michael Praetorius (1571-1621) | Nun bitten wir | german | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube | |
Michael Praetorius (1571-1621) | Nun bitten wir | german | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube | |
Michael Praetorius (1571-1621) | Vom Himmel hoch da komm ich her | german | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Michael Praetorius (1571-1621) | Der Tag der ist so freudenreich | german | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Obrecht, Jacob (c.1452-1505) | Si sumpsero | instrumental | 3 | Mixolydian [final: C, 1 flat] | Score + parts | |
Ockeghem or Martini or Malcourt | Dieu damors | Malheur me bat | instrumental | 3 | Hypophrygian [final: B, 0 flats] | Score + parts |
Orlande de Lassus (c.1532-1594) | Et in anima mea | Psalm I | latin | 3 | Hypodorian [final: A, 0 flats] | Score + parts |
Orlande de Lassus (c.1532-1594) | Adoramus te, Christe I | latin | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube | |
Orlande de Lassus (c.1532-1594) | Adoramus te, Christe II | latin | 3 | Lydian [final: BF, 1 flat] | Score + parts Watch on youtube | |
Orlande de Lassus (c.1532-1594) | Resonet in laudibus | Secunda pars: Hodie apparuit in Israel | latin | 3 | Ionian [final: F, 1 flat] | Score + parts |
Orlando Gibbons (1583-1625) | Fantazia 1 | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Orlando Gibbons (1583-1625) | Fantazia 2 | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Orlando Gibbons (1583-1625) | Fantazia 3 | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Orlando Gibbons (1583-1625) | Fantazia 4 | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube | |
Orlando Gibbons (1583-1625) | Fantazia 5 | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Orlando Gibbons (1583-1625) | Fantazia 6 | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Peter Philips (c.1560-1628) | Trio de la première mode | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Peter Philips (c.1560-1628) | Trio de la troisième mode | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube | |
Philippe de Monte (1521-1603) | Amor, che sol de' i cor leggiadri ha cura | italian | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Pietro Vinci (c.1525-1584) | Occhi leggiadri e belli | italian | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Salamone Rossi (c.1570-1630) | Sonata prima | detta la Moderna | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts |
Salamone Rossi (c.1570-1630) | Sonata seconda | detta la Casalasca | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts |
Salamone Rossi (c.1570-1630) | Sonata terza | sopra l'Arie della Romenesca | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
Salamone Rossi (c.1570-1630) | Sonata quarta | sopra l'Aria di Ruggiero | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Sonata quinta | sopra Porto celato il mio Nobil pensiero | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Sonata in dialogo | Detta la Viena | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
Salamone Rossi (c.1570-1630) | Sinfonia I | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia seconda detta la Emiglia | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia terza detta la Cecchina | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia quarta | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia quinta | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia sesta | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia settima | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia ottava | instrumental | 3 | Phrygian [final: E, 0 flats] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Sinfonia nona | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Gagliarda I | detta la Turca | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Gagliarda II | detta l'Incognita | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Gagliarda III | detta Silvia | instrumental | 3 | Dorian [final: C, 2 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Gagliarda IV | detta la Disperata | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Gagliarda V | detta Amor perfetto | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Gagliarda VI | detta Turanina | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Gagliarda VII | detta l'Erba | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Gagliarda VIII | detta il Verdugale | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Brando I | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Brando II | Aria di Gio. Francesco Rubini | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Brando III | Aria del medesimo | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Correnta I | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube | |
Salamone Rossi (c.1570-1630) | Correnta seconda detta la Emiglia | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Salamone Rossi (c.1570-1630) | Correnta terza detta la Cecchina | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Salamone Rossi (c.1570-1630) | Correnta quarta | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Salamone Rossi (c.1570-1630) | Correnta quinta | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Salamone Rossi (c.1570-1630) | Correnta sesta | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Salamone Rossi (c.1570-1630) | Correnta settima | instrumental | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Salamone Rossi (c.1570-1630) | Sinfonia I | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Salamone Rossi (c.1570-1630) | Sinfonia I | va sonata alla quarta Alta | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube |
Salamone Rossi (c.1570-1630) | Sinfonia II | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Salamone Rossi (c.1570-1630) | Sinfonia III | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Salamone Rossi (c.1570-1630) | Sinfonia IV | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Salamone Rossi (c.1570-1630) | Sinfonia V | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Salamone Rossi (c.1570-1630) | Sinfonia VII | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Tarquinio Merula (c.1594-1665) | Chiacona | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Tarquinio Merula (c.1594-1665) | Ballo detto Pollicio | instrumental | 3 | Hypodorian [final: A, 0 flats] | Score + parts Watch on youtube | |
Tarquino Merula (c.1594-1665) | L'Ariberta | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts Watch on youtube | |
Tarquino Merula (c.1594-1665) | La Cavagliera | Canzon XVIII | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube |
Tarquino Merula (c.1594-1665) | No, no, ch'io non mi fido | Sopra la ciaconna | italian | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube |
Tarquino Merula (c.1594-1665) | Bianca neve ò Bianca | italian | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Thomas Lupo (1571-1627) | Fantasia 1 | VdGS à 3 #14 | instrumental | 3 | Lydian [final: BF, 1 flat] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 2 | VdGS à 3 #11 | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 3 | VdGS à 3 #12 | instrumental | 3 | Ionian [final: F, 1 flat] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 5 | VdGS à 3 #2 | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 6 | VdGS à 3 #3 | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 8 | VdGS à 3 #16 | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 12 | VdGS à 3 #10 | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 13 | VdGS à 3 #22 | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts |
Thomas Lupo (1571-1627) | Fantasia 14 | VdGS à 3 #24 | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
Thomas Morley (c.1557-1602) | See, see, myne own sweet jewell | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Joy, joy doth so arise | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Cruel, you pull away too soone | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Ladie those eyes of yours | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Hould out, my hart | english | 3 | Ionian [final: C, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Good morrow, faire ladies | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Whether away so fast | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Blow, Shepherds, blow | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Deep Lamenting | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Farewell Disdainful | english | 3 | Dorian [final: D, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | O Fly Not | english | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Thirsis | english | 3 | Hypodorian [final: A, 0 flats] | Score + parts | |
Thomas Morley (c.1557-1602) | Now Must I Die | english | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Thomas Morley (c.1557-1602) | Lady if I through grief | english | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Thomas Morley (c.1557-1602) | Cease Mine Eyes | english | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Thomas Morley (c.1557-1602) | Do You Not Know | english | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
Thomas Morley (c.1557-1602) | Where art Thou, Wanton? | english | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Thomas Morley (c.1557-1602) | What Ails my Darling | english | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Thomas Morley (c.1557-1602) | Say Dear, Will You Not Have Me | english | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Thomas Morley (c.1557-1602) | Arise, Get up my Dear | english | 3 | Ionian [final: F, 1 flat] | Score + parts | |
Vincenzo Ruffo (c.1508-1587) | Capriccio sopra La sol fa re mi | instrumental | 3 | Phrygian [final: E, 0 flats] | Score + parts Watch on youtube | |
Vincenzo Ruffo (c.1508-1587) | El Chiocho | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
Vincenzo Ruffo (c.1508-1587) | La Brava | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Vincenzo Ruffo (c.1508-1587) | Capriccio sopra O felici occhi miei | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Vincenzo Ruffo (c.1508-1587) | La Disperata | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
Vincenzo Ruffo (c.1508-1587) | Dormendo un giorno | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube | |
Vincenzo Ruffo (c.1508-1587) | La Gamba in Basso e Soprano | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube | |
Vincenzo Ruffo (c.1508-1587) | La Danza | instrumental | 3 | Dorian [final: D, 0 flats] | Score + parts Watch on youtube | |
Vincenzo Ruffo (c.1508-1587) | Da bei rami scendea | instrumental | 3 | Ionian [final: C, 0 flats] | Score + parts Watch on youtube | |
Walter Frye (d.1470s) or Gilles de Binchois (early 14c-1460) | Tout a par moy | french | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
William Byrd (c.1540-1623) | The Eagle's force subdues each Bird that flies | english | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
William Byrd (c.1540-1623) | Lord in thy rage rebuke me not | english | 3 | Hypodorian [final: D, 1 flat] | Score + parts Watch on youtube | |
William Byrd (c.1540-1623) | Right blest are they whose wicked sins | english | 3 | Hypodorian [final: D, 1 flat] | Score + parts | |
William Byrd (c.1540-1623) | Lord in thy wrath correct me not | english | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
William Byrd (c.1540-1623) | O God which art most merciful | english | 3 | Dorian [final: G, 1 flat] | Score + parts | |
William Byrd (c.1540-1623) | Lord hear my prayer instantly | english | 3 | Hypodorian [final: D, 1 flat] | Score + parts Watch on youtube | |
William Byrd (c.1540-1623) | From depth of sin, O Lord to thee | english | 3 | Dorian [final: G, 1 flat] | Score + parts | |
William Byrd (c.1540-1623) | Attend mine humble prayer Lord | english | 3 | Dorian [final: G, 1 flat] | Score + parts | |
William Byrd (c.1540-1623) | Susanna fayre | english | 3 | Ionian [final: C, 0 flats] | Score + parts | |
William Byrd (c.1540-1623) | The nightingale so pleasant and so gay | english | 3 | Ionian [final: C, 0 flats] | Score + parts | |
William Byrd (c.1540-1623) | When younglings first on Cupid fix their sight | The first part | english | 3 | Ionian [final: C, 0 flats] | Score + parts |
William Byrd (c.1540-1623) | But when by proof they find that he did see | The second part | english | 3 | Ionian [final: C, 0 flats] | Score + parts |
William Byrd (c.1540-1623) | Upon a summer's day love went to swim | The first part | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
William Byrd (c.1540-1623) | Then for a boat his quiver stood in stead | The second part | english | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
William Byrd (c.1540-1623) | The greedy Hawk with sudden sight of lure | english | 3 | Ionian [final: C, 0 flats] | Score + parts | |
William Byrd (c.1540-1623) | Mass for three voices | latin | 3 | Ionian [final: F, 1 flat] | Score + parts Watch on youtube | |
William Daman (c.1540-1591) | Fantasia 7 | Ut re mi fa sol la | instrumental | 3 | Mixolydian [final: G, 0 flats] | Score + parts |
[Compère, Loyset (c.1445-1518)] | Aqui dirage mes pensees | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts | |
[Gaspar van Weerbeke (c.1455-c.1516)] (poss. Obrecht or Isaac) | La strangetta | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts Watch on youtube | |
[Isaac, Heinrich (c.1450-1517)] | Adieu fillette de regnon | instrumental | 3 | Dorian [final: G, 1 flat] | Score + parts |